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The Source


Composed by Ted Hearne 
Libretto by Mark Doten
(excerpts from libretto here)

“A 21st-century masterpiece.”
Zachary Woolfe / The New York Times



THE ALBUM


Album Release 10/30/15 From NEW AMSTERDAM RECORDS

It evokes our time, the age of atomized digitized information, more potently than any piece of music I’ve heard
David Hajdu / The Nation


Some of the most expressive socially engaged music in recent memory—from any genre.

Seth Colter Walls / Pitchfork

 

It does what great art should: It pushes you to think and feel about the world in new ways.... “The Source” (with a brilliant collage libretto by Mark Doten) is remarkable and essential.
Zachary Woolfe / The New York Times /  "Best Classical Recordings of 2015"


  THE LIVE SHOW


Composed by Ted Hearne
Libretto by Mark Doten
Directed by Daniel Fish
Video by Jim Findlay
Produced by Beth Morrison Projects


SF Opera Lab
February 2017

 LA Opera at REDCAT Theater
October 2016

Brooklyn Academy of Music Next Wave Festival
October 2014


Hearne’s piece holds up as a complex mirror image of an information-saturated, mass-surveillance world, and remains staggering in its impact....“The Source,” based on a libretto by Mark Doten, is a mesmerizing and disquieting collage of vocal, instrumental, and recorded sounds. 
Alex Ross / The New Yorker / “Modern Opera Thrives in L.A.

Using source material from WikiLeaks and emails between Manning and Adrian Lamo, the hacker, librettist Mark Doten sifted through unmanageable masses of information in a way the news media and politicians haven’t: as poetry.... The opera itself makes vivid the confusing yet crucial bigger picture of how we handle, and how free we are to handle, information .
Mark Swed / The Los Angeles Times / “WikiLeaks at the Opera: What Chelsea Manning-inspired music says about government secrets

The patchwork libretto, by Mark Doten, is drawn from the classified documents disclosed to WikiLeaks by Chelsea Manning, formerly known as Pfc. Bradley Manning, as well as instant messages and bits of interviews. Mr. Hearne sets these fragments to a score that confidently swerves from chamber-music intimacy to rock propulsion to spooky calm... Refusing to make the expected, easy political points, 'The Source' ended up being a beautiful, sad, altogether crucial reflection on our time.
Zachary Woolfe / The New York Times / “Best Classical Vocal Performances of 2014”

[H]arrowing.... an unconventional multimedia work, but a disembodied one in which the visual elements deliberately raise more questions than they answer. ... Mark Doten’s libretto is drawn directly from those leaked documents and from the chat log of Pfc. Manning and the hacker Adrian Lamo, who turned her in. But this is no ripped-from-the-headlines documentary; rather, Mr. Hearne creates an environment of chaos and disorientation that gradually and excruciatingly envelops the listener.
Heidi Waleson /  Wall Street Journal


Photo credit top image: Kirsten Luce for The New York Times





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